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	<title>Amar&#039;s Film Review</title>
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	<link>http://amarfilmreview.wordpress.com</link>
	<description>I&#039;ll be writing reviews with my interests in classic, independent and foreign films.</description>
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		<title>Amar&#039;s Film Review</title>
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		<title>American Psycho (2000)</title>
		<link>http://amarfilmreview.wordpress.com/2010/05/17/american-psycho-2000/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/05/17/american-psycho-2000/#comments</comments>
		<pubDate>Mon, 17 May 2010 06:37:32 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[American Psycho]]></category>
		<category><![CDATA[Bret Easton Ellis]]></category>
		<category><![CDATA[Chloe Sevigny]]></category>
		<category><![CDATA[Christian Bale]]></category>
		<category><![CDATA[Jared Leto]]></category>
		<category><![CDATA[Mary Harron]]></category>
		<category><![CDATA[patrick bateman]]></category>
		<category><![CDATA[serial killer]]></category>
		<category><![CDATA[Willem Dafoe]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=338</guid>
		<description><![CDATA[&#8220;I have to return some videotapes&#8221; &#8211; Patrick Bateman After many failed attempts by directors and writers to adapt Bret Easton Ellis&#8217;s novel about a Wall Street serial killer, Mary Harron was able to the hit the mark. Set during the mid 80&#8242;s, Harron captures the mood perfectly. Wall Street is riding on a wave [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=338&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>The Limey (1999)</title>
		<link>http://amarfilmreview.wordpress.com/2010/03/26/the-limey-1999/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/03/26/the-limey-1999/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 21:01:30 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[crime thriller]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[gangsters]]></category>
		<category><![CDATA[neo noir]]></category>
		<category><![CDATA[peter fonda]]></category>
		<category><![CDATA[steven soderbergh]]></category>
		<category><![CDATA[terrance stamp]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=439</guid>
		<description><![CDATA[&#8220;Tell him I&#8217;m coming!&#8221; &#8211; Wilson Steven Soderbergh&#8216;s little known, neo-noir vision gives us a father&#8217;s determined journey of vengeance set in sunny Los Angeles.  Up to this point, Soderbergh had a long dry spell after his sensational &#8221;Sex, Lies and Videotape&#8221; before garnering public credibility with &#8220;Out of Sight,&#8221; and using this momentum to create an artistic, art house [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=439&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Beat Street (1984)</title>
		<link>http://amarfilmreview.wordpress.com/2010/03/17/beat-street-film/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/03/17/beat-street-film/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 16:47:13 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Classic Film]]></category>
		<category><![CDATA[Afrika Bambaataa]]></category>
		<category><![CDATA[beat street]]></category>
		<category><![CDATA[break dancing]]></category>
		<category><![CDATA[DJ]]></category>
		<category><![CDATA[Doug E. Fresh]]></category>
		<category><![CDATA[graffiti art]]></category>
		<category><![CDATA[Grand Master Melle Mel and the Furious Five]]></category>
		<category><![CDATA[hip hop]]></category>
		<category><![CDATA[hip hop film]]></category>
		<category><![CDATA[Kool Herc]]></category>
		<category><![CDATA[MC]]></category>
		<category><![CDATA[NYC Breakers]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[Rock Steady Crew]]></category>
		<category><![CDATA[turntables]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=438</guid>
		<description><![CDATA[&#8220;This ain&#8217;t New York, this the Bronx!&#8221; &#8211; Double K A mixture of genuine, novice acting and weak story lines never detracts from the film&#8217;s groundbreaking, authentic soundtrack nor the original look and attitude that &#8220;Beat Street&#8221; presents: hip hop in it&#8217;s early form. For many, it was their first experience with this gritty scene [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=438&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Moon (2009)</title>
		<link>http://amarfilmreview.wordpress.com/2010/02/23/moon-2009/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/02/23/moon-2009/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 04:45:03 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[clint mansell]]></category>
		<category><![CDATA[cloning humans]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Duncan Jones]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[Moon]]></category>
		<category><![CDATA[noir]]></category>
		<category><![CDATA[Sam Rockwell]]></category>
		<category><![CDATA[science fiction genre]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=402</guid>
		<description><![CDATA[&#8220;I want to go home&#8221; &#8211; Sam Bell This is the type of film that trusts its viewer&#8217;s intelligence. It unfolds at its own pace, languidly at times, not in any rush for cheap surprises, trusting that we can pay attention longer than 30 seconds. In other words, its old school film making using an [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=402&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>Little Children (2006)</title>
		<link>http://amarfilmreview.wordpress.com/2010/01/23/little-children-2006/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/01/23/little-children-2006/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 22:16:48 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[affair]]></category>
		<category><![CDATA[Jackie Earle Haley]]></category>
		<category><![CDATA[Jennifer Connelly]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Little Children]]></category>
		<category><![CDATA[Patrick Wilson]]></category>
		<category><![CDATA[suburban frustration]]></category>
		<category><![CDATA[Tom Perrotta]]></category>
		<category><![CDATA[Tood Field]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=342</guid>
		<description><![CDATA[&#8220;No, no, it&#8217;s not the cheating. It&#8217;s the hunger. The hunger for an alternative, and the refusal to accept a life of unhappiness.&#8221; &#8211; Sarah Pierce The monotony of suburban life slowly sinks its claws into our characters from Tom Perrotta&#8217;s novel, who also wrote the screenplay. Directed by actor and writer Todd Field (In [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=342&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Amar</media:title>
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			<media:title type="html">tf.org-Little-Children-01-free-avi</media:title>
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		<title>Infernal Affairs (2002)</title>
		<link>http://amarfilmreview.wordpress.com/2010/01/09/infernal-affairs-2002/</link>
		<comments>http://amarfilmreview.wordpress.com/2010/01/09/infernal-affairs-2002/#comments</comments>
		<pubDate>Sat, 09 Jan 2010 11:36:03 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[action thriller]]></category>
		<category><![CDATA[Andrew Lau]]></category>
		<category><![CDATA[Andy Lau]]></category>
		<category><![CDATA[crime thriller]]></category>
		<category><![CDATA[gangster film]]></category>
		<category><![CDATA[infernal affairs]]></category>
		<category><![CDATA[Tony Leung]]></category>
		<category><![CDATA[Triad]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=344</guid>
		<description><![CDATA[&#8220;Remember this, if you see someone doing something but at the same time watching you&#8230; then he is a cop.&#8221; &#8211; Keung No time is wasted in this Hong Kong crime thriller from Andrew Lau. We&#8217;re quickly introduced to the film&#8217;s two protagonist&#8217;s, Asian film stars Andy Lau and Tony Leung. Each are groomed at [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=344&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Amar</media:title>
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			<media:title type="html">Infernal_affairs</media:title>
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		<item>
		<title>The Graduate (1967)</title>
		<link>http://amarfilmreview.wordpress.com/2009/12/13/the-graduate-1967/</link>
		<comments>http://amarfilmreview.wordpress.com/2009/12/13/the-graduate-1967/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 23:34:30 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Classic Film]]></category>
		<category><![CDATA[1967]]></category>
		<category><![CDATA[affair]]></category>
		<category><![CDATA[benjamin braddock]]></category>
		<category><![CDATA[Charles Webb]]></category>
		<category><![CDATA[Dustin Hoffman]]></category>
		<category><![CDATA[Katherine Ross]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Mrs Robinson]]></category>
		<category><![CDATA[older woman]]></category>
		<category><![CDATA[Simon and Garfunkel]]></category>
		<category><![CDATA[Vietnam]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=274</guid>
		<description><![CDATA[Mrs. Robinson, if you don&#8217;t mind my saying so, this conversation is getting a little strange &#8211; Benjamin Charles Webb&#8216;s novel &#8220;The Graduate,&#8221; first published in 1963, wasn&#8217;t a sensation until  Mike Nichols turned it into the voice of the late 60&#8242;s, capturing the brink of lunacy the decade was about to stumble into: impassioned [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=274&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Amar</media:title>
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			<media:title type="html">the-graduate1</media:title>
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		<title>Henry and June (1990)</title>
		<link>http://amarfilmreview.wordpress.com/2009/11/27/henry-and-june-1990/</link>
		<comments>http://amarfilmreview.wordpress.com/2009/11/27/henry-and-june-1990/#comments</comments>
		<pubDate>Sat, 28 Nov 2009 00:47:04 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[1930's]]></category>
		<category><![CDATA[affair]]></category>
		<category><![CDATA[Anais Nin]]></category>
		<category><![CDATA[Fred Ward]]></category>
		<category><![CDATA[Henry and June]]></category>
		<category><![CDATA[Henry Miller]]></category>
		<category><![CDATA[June Miller]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Maria de Medeiros]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Phillip Kaufman]]></category>
		<category><![CDATA[Richard E. Grant]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[Tropic of Cancer]]></category>
		<category><![CDATA[Uma Thurman]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=221</guid>
		<description><![CDATA[&#8220;Let&#8217;s toast to our defects. Toast, to our friendship. Drink cold, piss warm.&#8221; &#8211; Henry Miller During the 1920&#8242;s and 30&#8242;s, Paris became a playground for a variety of artists, such as Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, Gertrude Stein, Anais Nin and Henry Miller. This film focuses on the relationship between writer Anais [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=221&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>8</slash:comments>
	
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			<media:title type="html">Amar</media:title>
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		<title>Kramer vs Kramer (1979)</title>
		<link>http://amarfilmreview.wordpress.com/2009/11/15/kramer-vs-kramer-1979/</link>
		<comments>http://amarfilmreview.wordpress.com/2009/11/15/kramer-vs-kramer-1979/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 15:53:25 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Classic Film]]></category>
		<category><![CDATA[70's]]></category>
		<category><![CDATA[child custody]]></category>
		<category><![CDATA[Deer Hunter]]></category>
		<category><![CDATA[divorce]]></category>
		<category><![CDATA[Dustin Hoffman]]></category>
		<category><![CDATA[Justin Henry]]></category>
		<category><![CDATA[Kramer vs Kramer]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Robert Benton]]></category>

		<guid isPermaLink="false">http://amarfilmreview.wordpress.com/?p=238</guid>
		<description><![CDATA[&#8220;I want my mommy!&#8221; &#8211; Billy Kramer &#8220;I&#8217;m all you got.&#8221; &#8211; Ted Kramer A growing trend during the late 70&#8242;s was divorce. This film takes a close look at this issue, but not from the woman&#8217;s perspective, as expected, but from the man&#8217;s. Seeing the perspective from his point of view is eye opening. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=238&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">332</media:title>
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		<title>The Hudsucker Proxy (1994)</title>
		<link>http://amarfilmreview.wordpress.com/2009/10/22/the-hudsucker-proxy-1994/</link>
		<comments>http://amarfilmreview.wordpress.com/2009/10/22/the-hudsucker-proxy-1994/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 19:58:51 +0000</pubDate>
		<dc:creator>Amar Rehal</dc:creator>
				<category><![CDATA[Modern Film]]></category>
		<category><![CDATA[Ethan Coen]]></category>
		<category><![CDATA[hula hoop]]></category>
		<category><![CDATA[Jennifer Jason Leigh]]></category>
		<category><![CDATA[Joel Coen]]></category>
		<category><![CDATA[Paul Newman]]></category>
		<category><![CDATA[The Hudsucker Proxy]]></category>
		<category><![CDATA[Tim Robbins]]></category>

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		<description><![CDATA[You know, for kids! &#8211; Norville Barnes 1994 was a landmark year in film. &#8220;Pulp Fiction&#8221; led the way followed by &#8220;The Shawshank  Redemption&#8221;, &#8220;Forrest Gump&#8221; and &#8220;Clerks.&#8221; Buried among all these treasures is Joel and Ethan Coen&#8217;s &#8220;The Hudsucker Proxy.&#8221; It was panned by critics and never given a chance, doomed for box office [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=amarfilmreview.wordpress.com&amp;blog=8380501&amp;post=184&amp;subd=amarfilmreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Amar</media:title>
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